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Descrição do livro
She was handed one of the least fashionable instruments in American music, and she never traded it in. A high, light East Tennessee soprano with a fast vibrato and a forward twang was the sound Nashville production spent two decades trying to sand off. It survived, unaltered, for sixty years, and it did the one thing a heavier voice cannot: it carried without volume. TWANG is a study of that instrument and nothing else. Ten chapters take it apart mechanism by mechanism: Every chapter closes with a Listening Lab: a named recording, where in it to listen, what is happening in the throat, and an exercise to try with your own voice. For singers, teachers, producers and anyone who has wondered why that voice cuts through a mix it has no business cutting through. No lyrics are quoted. No photographs appear. This is an independent work of vocal criticism and analysis, not authorized, endorsed, licensed by or affiliated with Dolly Parton or her representatives. Icons is a series on the voice as an instrument. Each volume takes one singer and one mechanism at a time.
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