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Issue #49 of befores & afters magazine is a special issue that covers the visual effects of Gareth Edwards' Jurassic World Rebirth. Firstly, we explore the river rafting sequence that features the T-rex, with VFX by Industrial Light & Magic. Then, we look at the gaussian splat approach to visualization employed by Proof, Inc. on the film.
The issue then goes retro to feature a select range of pieces that previously ran online at befores & afters and vfxblog. These include stories highlighting ILM’s breakthroughs on Jurassic Park, The Lost World and Jurassic Park III, such as initial explorations into using morphing for motion blur, the development of a proprietary texture painting tool called Viewpaint, the approach to animation, and several technologies like ambient occlusion that aided in rendering the dinosaurs. There’s also an interview with Shane Mahan about Stan Winston’s Spitter in Jurassic Park. Finally, the digital and practical effects innovations made on the more recent Jurassic World Fallen Kingdom and Jurassic World Dominion are covered in detail
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